If you like this, you'll love the Conspiracy's
favorite albums of 2003.
J
Jesper and Jeppe have the beat beat beat that can move your feet and the rock rock rock
that keeps rocking the house. Dance floor or bedroom floor, if Move Your Feet didn't
make your hips want to get shaking in 2003, you were a dead robot Vulcan fuelled by
sadness. GPC's song of the year was a perfect fun-ass tune that was total boner for
everyone, every time: Your parents dug it, your kid sister dug it, even your asshole
hipster friends got jig and dropped the heard-it-all-before face. Trying to find
something wrong with Move Your Feet was like trying to diss candy — not even
Noheart could do it without coming off like a big liar. I'm pretty sure there's no
such thing as heaven, but if I'm wrong, it's a place where Cinnamon Brown Sugar Pop
Tarts grow around Yoo-Hoo fountains while the cast of Jem (Rio included) have sexy
limbo parties to an eternal MYF soundtrack. In closing: If Move Your Feet were a
racehorse it would be named Gangbuster Bananas and it would win, like, six Triple
Crowns. (p.s. No glue in its future, only ice-cold filly macking.)
#1 Junior Senior - Move Your Feet
Jesper and Jeppe have the beat beat beat that can move your feet and the rock rock rock
that keeps rocking the house. Dance floor or bedroom floor, if Move Your Feet didn't
make your hips want to get shaking in 2003, you were a dead robot Vulcan fuelled by
sadness. GPC's song of the year was a perfect fun-ass tune that was total boner for
everyone, every time: Your parents dug it, your kid sister dug it, even your asshole
hipster friends got jig and dropped the heard-it-all-before face. Trying to find
something wrong with Move Your Feet was like trying to diss candy — not even
Noheart could do it without coming off like a big liar. I'm pretty sure there's no
such thing as heaven, but if I'm wrong, it's a place where Cinnamon Brown Sugar Pop
Tarts grow around Yoo-Hoo fountains while the cast of Jem (Rio included) have sexy
limbo parties to an eternal MYF soundtrack. In closing: If Move Your Feet were a
racehorse it would be named Gangbuster Bananas and it would win, like, six Triple
Crowns. (p.s. No glue in its future, only ice-cold filly macking.)
OMG, the GPC top 25 and Entertainment Today!
Spread it like fluff 'n' nutter
Fond memories of the 8
Can't do a little cause he can't do enough
There must be something wrong with you
Sorry about the personal stylist
Yeah I'm wearing a Mickey Mouse shirt
Is there anything they can't do?
Laying fresh jams on Jose's brother since 2003
S
#2. Hot Hot Heat - Bandages
A confident nugget of catchy goodness that
notoriously spooked the BBC into removing it from their radio playlists during the war
in Iraq. The youthful nu wave energy made you wish that you did more than just talk
about forming a band with your friends that one October weekend when you were fifteen,
the vocals called out for karaoke in the shower (ban-da-ge-ee-es!) and those keyboard
hooks made you secretly regret quitting piano.
B
#3. The Kills - Cat Claw
If there's such a thing as an aural atomic
wedgie, this was it. Oops, there go your underoos, up over your head, then before you
could even turn around you were hanging from the coat rack. Forget about calling mommie
— they took all your money, including the quarter you stashed in your
Roos. The crazy thing is they did it with only a guitar, a drum machine, and a-hootin'
and a-hollerin' (eat your heart out, Jack White). Amazingly, they can pull it
off live too. On a side note, we thought Cousin Itt was sexy even before we found out she
was the lead singer for The Kills.
K
#4. Fannypack - Cameltoe
Junior Senior may have namechecked J.J. Fad, but
Fannypack ransacked homegirls' graves and left only the hair extensions. Capitalizing
on the year's most improbably pervasive catchphrase (even your mom's saying, "Did you
catch Jessica Alba's cameltoe in Honey? Girl needs to get some no-cling") and
spreading it like fluff 'n' nutter over some humpy booty beats, Fannypack made this
year's Supersonic: a tuff b-girl novelty hit that everybody got down to. Incidentally,
if you're wondering about the album, So Stylistic, it's more of the same — which
is to say, awesome.
K
#5. The Postal Service - Such Great Heights
Who knew longing could sound
so exuberant? Wriggling into your heart and butt simultaneously, Such Great Heights
alchemised Death Cab's pining croons with Dntel's precious glitches, threw four on
the floor and seduced us like it was the 8th grade semi-formal all over again.
Appropriately, I fell hard for it cruising along the Shenandoah mountain range thinking
about a girl. And, hey, if it sounds a little like A-ha, that's not hurting anybody.
K
#6. Outkast - Hey Ya!
Who knows what Andre 3000 was listening to — Shuggie
Otis? Magnetic Fields? HR Pufnstuf? — but Hey Ya was the most infectiously
inventive chart pop since Missy's Work It. Riding an old school rave-up beat,
handclaps, grunts and a bridge that climaxes into a delirium of "alright alright
alright alright alright alright," Hey Ya faced down the inevitable grocery store
ubiquity and then told us, You're going to hear this a thousand more times and you're
going to like it. And did we ever.
J
#7. The Strokes - 12:51
As if you didn't like it. It's The Cars meets
Experimental Jet Set-era Sonic Youth with an insane hook masquerading as a guitar line
masquerading as a keytar on delay. But the thing I liked most was its moxie.
You'd think with all the critical pressure to perform, Julian and the gang would have
been tempted to mix things up a bit on Room On Fire. But they didn't. You could almost
hear 'em taunting: "What's that, Rock Backlash? You don't like the taste of our
signature flava? How about another spoonful of medicine to help that medicine go
down?"
S
#8. New Pornographers - The Laws Have Changed
Vancouver's favorite (only?) indie
supergroup returned with an infectious pop opus that set hyper boy-girl harmonies to a
bouncy backing track. Consider it the soundtrack for daydreams about jumping in your
car (daydream a car if you don't have one) and pointing it towards a beach. And then
once at the daydream beach you can daydream Neko Case (Playboy's Sexiest Babe of Indie
Rock) in a daydream bikini. Rowr.
K
#9. The Darkness - I Believe In A Thing Called Love
Forget about all that
are-they-aren't-they talk (ironic, not gay). Forget the fresh proof that chest-baring
spandex and a balls-out guitar solo apparently still trump British teeth and a
receding hairline (and that a wicked falsetto still moistens the panties). Forget
even that this was one choice jingle, nouveau hair metal be damned. Mostly we're
just thankful that this got the kids off that Andrew W.K. shiat.
J
#10. The Unicorns - Tuff Ghost
The first time I saw The Unicorns, they were playing
in the back room of a seedy Toronto bar to about ten enthusiastic friends. They kicked
off the set with Tuff Ghost, introducing the song, and themselves, only by saying
"Sit down! Sit down! Sit down!" Those Unicorns are precious and outrageous
all at once, just like this song. And just when you think its scattershot melodies are
winding down, in gallops a lead lightning bolt of a bass solo that kicks it up into
dance-punk-for-pink-bunnies territory. It's song two on the album, which gives me a
frowny because it makes me skip the first tune (which is also very fine) every
time.
S
#11. Beyoncé - Crazy In Love
Uh oh - uh oh - uh oh - nonono. Employing an
infectious horn sample (via The Chi-Lites) and shimmering production from Rich
Harrison, Crazy In Love signalled the rise of your new pop Queen B. The guest
appearance by her beau, Jay-Z, gave the surging love song an added level of gravitas,
but the song was built for strutting around the room. Just try and deny it —
this song makes you wish you were a diva.
S
#12. Franz Ferdinand - Darts of Pleasure
The promising debut single from the hotly-tipped Glaswegian four piece combined a
deliciously fun slice of art punk disco stomp, some skinny guitar band swagger and a
gibberishy German extro that translates as "I am super-fantastic! I drink
champagne with salmon!" Even if you didn't know quite what they were getting at,
it was easy to dig the vibe. Pass that salmon.
R
#13. The Raveonettes - That Great Love Sound
What's that, you say? A Danish guy-girl duo re-inventing the Jesus and Mary Chain?
Yes, please! From the opening bars you knew what you were about to get and once you
got to the chorus you no longer cared — this was three-and-a-half minutes of pure
rock 'n' roll for the kids. If listening to That Great Love Sound at maximum volume
didn't make you hop on a motorcycle and take a ride on the sidewalk, there must be
something wrong with you.
K
?uestlove's original production, replaced it
with the Tom Tom Club's Wordy Rappinghood and sparked a revolution for the dance
floor, not just between your ears. It's a new wave, come on!
#14. Common - New Wave (Playgroup remix)
The story goes that when Common heard the
nascent track, he thought, "Oh snap, Stereolab!" So he approached Laetitia
backstage after a show and after getting the who-dat (this from somebody who could
probably name every Neu song? Pretty lame, Milhouse), he convinced her to rock the mic
with him anyway. The result was the year's sexiest cross-dresser, improbably bridging
the chromosonal gap between serious hip hop and serious pop. Upping the tranny even
more, Playgroup stripped away
K
#15. Broadcast - Man Is Not A Bird
This was pretty well what we've come to expect
from Broadcast — tinkles and shimmers, a haunting organ line and Trish's
disconnected lullabies floating above it all — but like some art house Houdini,
they keep sneaking in new tricks. Here, it was a moebius strip of drum fills
masquerading as a beat, propelling their typical kid-in-the-well symphonics to
something altogether more affecting. Beautiful doesn't do justice — this is
song of the year material on the minute-long echoey percussion denouement alone.
Incidentally, it was named after a '60s socio-political sex satire by Serbian
director Dusan Makavejev. Of course.
K
#16. LCD Soundsystem - Losing My Edge
Sticklers will point out that this was
actually released in mid-2002, but in the supposed year of disco punk, it remained the
one document that mattered. Vocally slack but rhythmically Botox-tight, Losing My Edge
skewered the aging hipster malaise like a year's worth of The Onion. And yet, as the
final minutes play out to a roll call of every name ever dropped by a record store
clerk ("The Bar Kays, The Human League, The Normal, Lou Reed, Scott Walker, Monks,
Niagara, Joy Division!"), it never fails to transform from indictment to
celebration, despite its bad self.
R
#17. Goldfrapp - Strict Machine
Oh my. Talk about sexy. And I don't just mean
Goldfrapp herself. Strict Machine was what happens when sex decides to take on a
musical form: At first it makes like a sequel to Personal Jesus and then it
morphs into a throbbing, pulsing electropop dance anthem that put everything else from
the genre to shame. The perfect song for slutty dancing (go ahead, give it a try)
— the synths are clean, the beats are dirty and the voice is just heavenly. And
Ms. Goldrapp likes to get busy with a theremin on stage. Are you with me?
B
#18. Yeah Yeah Yeahs - Maps
Karen O is one tough hombre. Whoever you are, odds are
good she could beat you up (ok, unless you're Chrissie Hynde or something). This was
the song she whispered in your ear after she'd bludgeoned you unconscious with a
bottle of the hip working-class beer du jour. The relentless attack of pretty much
every other YYY tune just made the sincerity and — dare we say it —
sweetness of Maps that much more seductive. Maybe "they don't love
you like I love you" was ambiguous — maybe you'd be dead by now if they did
— but somehow, it didn't matter. All was forgiven — the bloody nose, the
vomit, the throng of fickle scenesters, the personal stylist, everything.
B
#19. The Fiery Furnaces - Crystal Clear
We thought Jack and Meg had spoiled it for
all brother/sister rock 'n' roll wannabes, but then along came the Fiery Furnaces,
our new favorite modern-day back-of-a-pickup ragtime-piano rockers. There's something
off about this song that we couldn't put our finger on, but the more we replayed it, the
more we liked it in spite of ourselves. At first we found their weird melodies and
sloppy musicianship annoying but hard to forget (kind of like Fran Drescher), but now
we just love them (and Fran Drescher too).
R
#20. The Thrills - One Horse Town
You know how every year a song comes along that
captures the sound of summer? This year, One Horse Town was that song: jangly guitars,
tambourines, bells, piano, some raspy singing and a hint of a banjo — no
pretensions to being slick or avant-garde or anything other than a nice thing to listen
to on a warm day. (It's sweet to hear some Irish lads go all California on our ass.) I
haven't road-tested it yet, but word is that this makes an outstanding driving song.
If you've got a convertible, you're all set.
S
#21. White Stripes - Seven Nation Army
The Stripes' response to the pressure of
expectation that had built up following their rapid ascent to the top of new rock
revival, this was a worthy offering. The bass guitar fake-out (guitar effects! Is
there any thing they can't do?) and soaring blues riffs answered all expectations
with a resounding boot to the head.
J
#22. Metric - Combat Baby
Whenever I try to lay a fresh jam on my brother James,
he gets this look on his face like I've turned into our dad telling us that we need to
dress up because we're going to have dinner with one of his business associates. So I
try not to push too much on him. I mean, he's got his own tastes. Pretty much
exclusively Beyoncé, Kelis and Cher. No problems there. We find our common
ground. But then one day it's the classic fuck you: I come home to find him singing
along to Combat Baby in the shower.
R
#23. Trespassers William - Vapour Trail
Twelve years on, who knew that Ride could
inspire such dreaminess? To suggest that it's better than the original is sheer
lunacy, but California's Mazzy Star-loving Trespassers William made something that
came pretty damn close. Significantly slower, this Vapour Trail was instead built
around a piano, some bass and a lovely female voice, scoring major bonus points for
subtle brilliance. Put this on in the bath or under the stars and you'll find it
difficult not to feel something magical is going on here.
S
#24. Sophie Ellis-Bextor - Mixed Up World
Taking an underground disco hit and
splashing on some sassy Swing Out Sister brass and then finishing with a shot of some
Pet Shop Boys cosmopolitan electropop cool begat a song that made you hate yourself
for liking it. SEB knows how to deliver delicious pop confections that elicit the same
primal response as a box of chocolates that you know you shouldn't be touching, and
Mixed Up World was no exception. (OK, just one more listen.)
B
#25. Kelis - Milkshake
After scoring a minor but memorable hit with Caught
Out There and doing some time with ODB, Kelis took a long sabbatical. Word is
she's been travelling the globe searching for the lost techniques and secret
ingredients behind the perfect milkshake. At last she and her giant afro have returned to
show the world what they discovered: a frothy concoction of sassy Harlem
boast-R&B and Neptunes production, with a bicycle bell on top. It was so sweet and
smooth you gulped down the whole thing and ordered another, even though you know it
goes straight to your booty. Our expert GPC taste-testers agree, her milkshake is
better than yours.
















